Baldwin, James.Giovanni’s Room.New York, NY: Knopf Doubleday Publishing Group, 1956.
In the 1950s Paris of American expatriates, liaisons, and violence, a young man finds himself caught between desire and conventional morality.
David is a young American expatriate who has just proposed marriage to his girlfriend, Hella. While she is away on a trip, David meets a bartender named Giovanni to whom he is drawn in spite of himself. Soon the two are spending the night in Giovanni’s curtainless room, which he keeps dark to protect their privacy. But Hella’s return to Paris brings the affair to a crisis, one that rapidly spirals into tragedy.
David struggles for self-knowledge during one long, dark night—“the night which is leading me to the most terrible morning of my life.” With a sharp, probing imagination, James Baldwin's now-classic narrative delves into the mystery of loving and creates a deeply moving story of death and passion that reveals the unspoken complexities of the human heart.

Frankel, Laurie. This is How It Always Is. Flatiron, 2018.
When Rosie and Penn and their four boys welcome the newest member of their family, no one is surprised it's another baby boy. At least their large, loving, chaotic family knows what to expect. But Claude is not like his brothers. One day he puts on a dress and refuses to take it off. He wants to bring a purse to kindergarten. He wants hair long enough to sit on. When he grows up, Claude says, he wants to be a girl. Rosie and Penn aren't panicked at first. Kids go through phases, after all, and make-believe is fun. But soon the entire family is keeping Claude's secret. Until one day it explodes. This Is How It Always Is is a novel about revelations, transformations, fairy tales, and family. And it's about the ways this is how it always is: Change is always hard and miraculous and hard again; parenting is always a leap into the unknown with crossed fingers and full hearts; children grow but not always according to plan. And families with secrets don't get to keep them forever.

Halberstam, Jack. Trans:A Quick and Quirky Account of Gender Variability. University of California Press, 2018.
In the last decade, public discussions of transgender issues have increased exponentially. However, with this increased visibility has come not just power, but regulation, both in favor of and against trans people. What was once regarded as an unusual or even unfortunate disorder has become an accepted articulation of gendered embodiment as well as a new site for political activism and political recognition. What happened in the last few decades to prompt such an extensive rethinking of our understanding of gendered embodiment? How did a stigmatized identity become so central to U.S. and European articulations of self? And how have people responded to the new definitions and understanding of sex and the gendered body? In Trans*, Jack Halberstam explores these recent shifts in the meaning of the gendered body and representation, and explores the possibilities of a nongendered, gender-optional, or gender-queer future.

King, Nia.Queer and Trans Artists of Color Volume 2.Biyuti Publishing, 2016.
A celebration of queer and trans Black and brown genius... Building on the groundbreaking first volume, Queer and Trans Artists of Color: Stories of Some of Our Lives, NIA KING is back with a second archive of interviews from her podcast We Want the Airwaves. She maintains her signature frankness as an interviewer while seeking advice on surviving capitalism from creative folks who often find their labor devalued. In this collection of interviews, Nia discusses biphobia in gay men's communities with JUBA KALAMKA, helping border-crossers find water in the desert with MICHA CÁRDENAS, trying to preserve Indigenous languages through painting with GRACE ROSARIO PERKINS, revolutionary monster stories with ELENA ROSE, using textiles to protest police violence with INDIRA ALLEGRA, trying to respectfully reclaim one's own culture with AMIR RABIYAH, taking on punk racism with MIMI THI NGUYEN, the imminent trans women of color world takeover with LEXI ADSIT, queer life in WWII Japanese American incarceration camps with TINA TAKEMOTO, hip-hop and Black Nationalism with AJUAN MANCE, making music in exile with MARTÍN SORRONDEGUY, issue-based versus identity-based organizing with TRISH SALAH, ten years of curating and touring with the QTPOC arts organization Mangos With Chili with CHERRY GALETTE, raising awareness about gentrification through games with MATTIE BRICE, self-publishing versus working with a small press with VIVEK SHREYA, and the colonial nature of journalism school with KILEY MAY. The conversation continues. Bear witness to QTPOC brilliance.

Myers, Alex. Continental Divide. University of New Orleans, 2019.
"Go West, Young Man” is the advice every east coast boy has considered at least once in his life. At nineteen, Ron Bancroft thinks those words sound pretty good. Newly out as transgender, Ron finds himself adrift: kicked out by his family, jilted by his girlfriend, unable to afford to return to college in the fall. So he heads out to Wyoming for a new start, a chance to prove that--even though he was raised as a girl, even though everyone in Boston thinks of him as transgender--he can live as a man. A 'real' man. In Wyoming, he finds what he was looking for: rugged terrain, wranglers, a clean slate. He also stumbles into a world more dangerous than he imagined, one of bigotry and violence. And he falls for an intriguing young woman, who seems as interested in him as he is in her. Thus begins Ron's true adventure, a search not for the right place in America, but the right place within himself to find truth, happiness, and a sense of belonging.

Schulman, Sarah.The Gentrification of the Mind: Witness to a Lost Generation.University of California Press, 2013.
In this gripping memoir of the AIDS years (1981–1996), Sarah Schulman recalls how much of the rebellious queer culture, cheap rents, and a vibrant downtown arts movement vanished almost overnight to be replaced by gay conservative spokespeople and mainstream consumerism. Schulman takes us back to her Lower East Side and brings it to life, filling these pages with vivid memories of her avant-garde queer friends and dramatically recreating the early years of the AIDS crisis as experienced by a political insider. Interweaving personal reminiscence with cogent analysis, Schulman details her experience as a witness to the loss of a generation’s imagination and the consequences of that loss.